Bronze insigna-pendant of Atum, Dyn. 18

Bronze insigna-pendant of Atum, Dyn. 18
Period:Egypt, New Kingdom, Dynasty 18, Amenhotep I/Amenophis I/Djeserkare
Dating:1550 BC–1524 BC
Origin:Egypt, Lower Egypt, Heliopolis
Material:Bronze
Physical:3.7cm. (1.4 in.) - 30 g. (1.1 oz.)
Catalog:MET.VS.00379

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Links to others from Dynasty 18

Alabaster unguent jar, Dyn. 18
Alabaster unguent vase, Dyn. 18
Amenhotep III as Amun-Min, Dyn 18
Amulet of Bes, Dyn. 18
Amulet of god Thoth as a Baboon, Dyn. 18
Anthropomorphic mirror handle, Dyn. 18
Basalt shawabti of a king, early Dyn. 18
Blue faience ring, udjat eye, Dyn. 18
Blue faience shawabti, Dyn.18
Bronze Horus sarcophagus, Dyn.18
Bronze of a king as Osiris, Dyn. 18
Bronze of Sakhmet seated, early Dyn. 18
Bronze statuette of Apis, Dyn. 18
Cartonnage of Princess Baket, Dyn. 18
Cartouche ring of Akhenaten, Dyn. 18
Carved face from a sarcophagus, Dyn. 18
Carved face from a sarcophagus, N.K.
Copper inlay for a box, Dyn. 18
Divine scarab, reign of Thutmose IV
Enameled feathers of Amun, Dyn. 18
Extensible bronze bracelet, Dyn. 18
Faience ear ornament, Dyn. 18
Foundation marker from Amenhotep III
Funerary box (panel), Dyn. 18-33
Gilded ib, heart amulet, Dyn.18
Gilded mkrt, snake amulet, Dyn. 18
Gilded ‘tit’ (girdle of Isis) amulet, Dyn. 18
Granite cartouche of Akhenaten, Dyn. 18
Head, realistic portrait in stone, Dyn 18
Horus-the-Child as a ruling king, Dyn. 18
Ibis-headed Thoth with human body, Dyn.18
King Amenhotep II (?) as Amun-Re, Dyn. 18
King Horemheb as a sphinx, Dyn. 18
King Horemheb as Amun-Re, Dyn. 18
King wearing the royal headdress, Dyn. 18
Limestone shawabti, early Dyn. 18
Lotus necklace terminal, Egypt, Dyn. 18
Monumental bronze feather, Dyn. 18
Mummy mask of a young woman, Dyn. 18
Nekhbet, vulture-goddess of Nekheb
New Year’s flask for sacred water, Dyn.18
Osiris, King of the Afterlife, Dyn. 18
Osiris of an unknown king, Dyn. 18 (?)
Osiris-Neper, god of agriculture, Dyn. 18
Pair of udjat eyes of Horus, Dyn. 18
Palm leaf amulet, Dyn. 18-19
Palm leaf amulet, Dyn. 18-19
Pillar capital, Hathor, Dyn. 18
Polychrome glass cup, Dyn 18
Queen as Goddess Mut, Dyn.18
Queen Hatshepsut as Goddess Mut, Dyn. 18
Queen Hatshepsut as Hathor, Dyn. 18
Queen Isis as Isis nursing Thutmose III
Royal situla, sacred water vessel, Dyn.18
Royal wooden sarcophagus lid, Dyn. 18
Sakhmet amulet pendant, Dyn. 18
Sarcophagus of a king, Dyn. 18
Sarcophagus of a queen, Dyn. 18
Scarab “begets the existence of Amun”
Scarab of protection, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab of Thutmose III, Dyn. 18
Scarab with Amun-Re, solar discs, Dyn. 18
Scarab with ‘Ba’, Dyn. 18
Scarab with “faith in Justice,” Dyn. 18
Scarab with Goddess Hathor
Scarab with Horus of the Horizon, Dyn. 18
Scarab with ‘nsw-bity’, Dyn. 18
Scarab with ‘sa’ singing birds, Dyn. 18
Shawabti of Amen, vizier of Amenhotep III
Shawabti of Queen Mutemwia. Dyn.18
Signet-ring of Tutankhamun, Dyn. 18
Statuette of a privileged man, Dyn. 18
Stone bust of a scribe, Dyn. 18
Stone shawabti of a Nubian viceroy, Dyn. 18
Stone statue of King Thutmose III, Dyn. 18
Two cobras from the queen’s crown
Udjat eye amulet-pendant, Dyn. 18
Uninscribed wooden shawabti, Dyn. 18
Uraeus from a royal crown, Dyn. 18
Wood statue of King Smenkhkare, Dyn. 18
Wooden sarcophagus lid, Dyn. 18
Wooden sarcophagus lid, Dyn.18
Wooden sarcophagus lid, Dyn. 18

Links to others of type Divine standard

Bronze ritual pendant of Osiris, Dyn. 25
Osiris with Djed pillar on back, Dyn. 26
Ptah-Tatenen pendant, Dyn. 19-20
Ritual pendant for the Priest of Ptah
  This bronze insignia pendant from early Dynasty 18 depicts the sun god Atum, creator of the universe, as a snake. Atum, father of the kings of Egypt, is shown wearing the royal head cloth.

“This figure of Atum-headed snake is very rare. We are lucky to have it. The Cairo Museum has only two of them NR 4465” (Khalil 1976:265).

Dynasty 18
In many ways, Dynasty 18 could be viewed as the golden age of the Egyptian Civilization. Spanning almost 280 years (1570-1293 BC), it ushered in the New Kingdom by a return to a powerful, monolithic Egyptian nation unified by a heavily centralized government under the undivided control of the king.

Egypt’s dominions expanded to include territory rife with natural resources; this wealth of resources fueled Egypt’s economy to unprecedented levels; the economic activity prompted the development of international trade and diplomacy; cultural and technological exchanges, together with spreading wealth, yielded a blossoming of the arts, and a widespread refinement of the Egyptian culture.

It would be unfair, if not untrue, to suggest that the achievements of Dynasty 18 were greater than those of, say, Dynasty 12 in the Middle Kingdom, or Dynasty 3 in the Old Kingdom. But the sheer volume of exquisite material goods produced and preserved from that period, the tantalizing political intrigues and mysteries of its controversial monarchs (such as Queen Hatshepsut and King Akhenaten), and the comparatively extensive written record (both from within and without Egypt), cannot help but make Egypt’s Dynasty 18 a most fascinating period of human history.

Founded by King Ahmose, who reclaimed the Delta from the Hyksos, Dynasty 18 saw some of the most enlightened monarchs of Egypt’s history. Blending the unwavering projection of military power with the development of social policies and the shepherding of culture, they left an indelible mark on their civilization. After a long period of prosperity and stability under a succession of kings named Tuthmosis and Amenhotep (and the great queen Hatshepsut), the dynasty stumbled when Amenhotep IV attempted to change just about everything about Egyptian culture: under his new name Akhenaten, he left the old capital and built a new one, abandoned Egypt’s traditional gods and created a new monotheistic cult, abandoned Egypt’s established artistic conventions and fostered a new, disturbingly realistic, aesthetic canon. Too much, too fast, Akhenaten’s reforms were soon undone. His capital was abandoned, his monuments destroyed, and records of his reign meticulously expunged. Turning a new page, his successor Tutankhaten soon changed his name to Tutankhamun. The Dynasty never regained its luster, and soon made way for a new line of rulers emerging from the ranks of the military: the Ramessids.


Bibliography (for this item)

Khalil, Hassan M.
1976 Preliminary Studies on the Sanusret Collection. Manuscript, Musée l’Egypte et le Monde Antique, Monaco-Ville, Monaco. ((II) 265-267)






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